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There are a few aggregators and lots of distributors so before committing yourself, weigh your options, and ask lots of questions. Always ask for and check out references and don’t trust any one source.  Different films have different potentials so compare yours to ones that match up from a marketing and demographic perspective. Get clear about expenses being recouped, layers of middle men between the consumer and the company you are contracting with, and marketing efforts that either you or your distributor or both need to undertake to have your film known in the marketplace.

Did you know that The Film Collaborative has a social networking platform for filmmakers called The Film Collaborators? Visit the site to set up your free account.

July 15th, 2010

Posted In: Digital Distribution

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It’s critical that one’s contract contain language that covers a wide range of contingencies and possibilities in a rapidly changing and unpredictable landscape. Plan for changing revenue models, companies to go out of business, and rights classes/categories to shift and have your contract drafted accordingly. There is nothing you cannot protect yourself from in a contract, as long as you are reasonable, and an honest distributor will expect you to cover yourself.

Did you know that The Film Collaborative has a social networking platform for filmmakers called The Film Collaborators? Visit the site to set up your free account.

July 13th, 2010

Posted In: Digital Distribution

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